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原舍 · 懷谷藏于莫干山的山谷中，7棟幾何白房子，如此神秘，連同周邊起伏綿延的山巒，撩動(dòng)著人們的好奇心。

Hidden in the valley of moganshan, eight white houses are so mysterious that the rolling hills around them arouse people's curiosity.

X-living，是原舍對(duì)懷谷項(xiàng)目的一次新嘗試與新體驗(yàn)，未來(lái)的懷谷，會(huì)成為一個(gè)大的旅居社區(qū)，有農(nóng)田、有果樹(shù)、有花草、有鄰居，然后還有生活。在這里，時(shí)光變得靜謐柔和，它，遠(yuǎn)不止如此，這里充滿了很多可能性。

X-living is a new attempt and experience of yuanshe to the huai valley project. In the future, huai valley will become a large community with farmland, fruit trees, flowers, neighbors and life. It's a place where time is quiet and mellow, and it's, it's more than that, it's full of possibilities.

初遇懷谷，像闖入另一個(gè)時(shí)空，它是民宿，也是一座永遠(yuǎn)進(jìn)行中的藝術(shù)中心。設(shè)計(jì)師對(duì)“時(shí)間”的概念進(jìn)行了重組與詮釋，利用光影來(lái)感知生活美學(xué)，人們參與其中，與懷谷相識(shí)。從某種意義上來(lái)說(shuō)，懷谷是一次超現(xiàn)實(shí)主義的嘗試。

When I first met huai gu, I felt like stepping into another time and space. It is a homestay and an art center in progress forever. The designer reorganized and interpreted the concept of "time", using light and shadow to perceive the aesthetics of life, in which people participated and got acquainted with huaigu. In a sense, the valley was a surrealist experiment.

設(shè)計(jì)師一直在試圖模糊室內(nèi)與室外的邊界，打破一些傳統(tǒng)設(shè)計(jì)的束縛。走進(jìn)懷谷，遇見(jiàn)“光盒”，設(shè)計(jì)師將原本厚實(shí)的墻體打破，在材料的選擇上更是充滿驚喜，通透的玻璃磚代替了實(shí)體磚，光穿過(guò)玻璃，進(jìn)入室內(nèi)，此刻空間的邊界被消除，時(shí)間被放慢，連同里與外，都滲透著一種溫暖且柔軟的濾鏡。

Designers have been trying to blur the boundaries between interior and exterior, breaking the shackles of some traditional designs. Into the valley of huai, meet a "light box", the designer will be thick wall break originally, on the choice of material is full of surprises, transparent glass brick instead of solid bricks, light through the glass, enter indoor, space boundary is eliminated at the moment, time is slow, together with the inside and outside, is permeated with a warm and soft filter.

旅行最精彩的部分往往就是在幻想的過(guò)程。酒吧的設(shè)計(jì)充滿著亮點(diǎn)，深入的闡述了“光暈酒吧”，酒精讓人有了更多的幻想，頂上流淌著一條小河，波光粼粼，夜幕下，水流更顯得虛幻。對(duì)設(shè)計(jì)師來(lái)說(shuō)，這是一次非常有價(jià)值的藝術(shù)體驗(yàn)，同時(shí)傳達(dá)出懷谷的新生活方式與熱愛(ài)藝術(shù)的定位。

The best part of travel is often the fantasy. The bar design is full of bright spots, in-depth elaboration of the "halo bar", alcohol let a person have more fantasy, top flowing a river, sparkling water, night, the water is more illusory. For the designer, this is a very valuable artistic experience, and at the same time conveys the new lifestyle of huaigu and the positioning of love of art.

在客房空間的設(shè)計(jì)中，設(shè)計(jì)師一直在借用光來(lái)達(dá)到不同程度上的空間交疊關(guān)系，把大自然的詩(shī)意引入了室內(nèi)，在此流連忘返，體驗(yàn)、想象最美的莫干山。

In the design of guest room space, the designer has been using the light to achieve different degrees of space overlap, the nature of poetry into the interior, here linger, experience, imagine the most beautiful moganshan.

往往質(zhì)樸而原始的空間更能打動(dòng)人，故設(shè)計(jì)師在室內(nèi)沒(méi)有做過(guò)多的裝飾，保持著尊重原始的態(tài)度，以自然、裸露的結(jié)構(gòu)還原空間的本質(zhì)美，亦賦予了空間更多的可能性。

Often plain and primitive space can move a person more, reason stylist is indoor did not do too much adornment, maintaining the attitude that respects primitive, restore the essential beauty of the space with natural, bare structure, also gifted a space more possibility.

在落地玻璃窗邊放置榻榻米座椅，可以品茶觀景，十分愜意。

The tatami chair is placed beside the floor-to-ceiling glass window. You can enjoy the scenery with tea. It is very comfortable.

朝夕之間，光影移動(dòng)，此刻，光與影成為空間的主角，而空間亦成為記錄光陰的容器。在懷谷，忘卻時(shí)間。

Day and night, light and shadow move, at the moment, light and shadow become the leading role of the space, and the space also becomes the container that records time. In the wye valley, forget the time.