本項(xiàng)目由屢獲殊榮的國(guó)際知名建筑事務(wù)所Ryuichi Sasaki Architecture設(shè)計(jì)建造，該事務(wù)所專注于文化建筑的設(shè)計(jì)，極度關(guān)注建筑使用者的參觀與使用體驗(yàn)。池上音樂(lè)中心的設(shè)計(jì)在建筑師與Takayuki Yagi和Yagi Komuten的合作下完成，并于2021年交付給業(yè)主Yasunori Kamata/K-M-T并投入使用，建筑主體采用了鋼筋混凝土結(jié)構(gòu)，內(nèi)部容納了音樂(lè)廳、練習(xí)室、隔音住宅租賃單元和頂層公寓。

Ryuichi Sasaki Architecture, an award-winning, internationally acclaimed architectural design firm specializing in cultural experiences, is proud to unveil the Ideareve-Ikegami. Completed in 2021 in collaboration with Takayuki Yagi and Yagi Komuten, for the client Yasunori Kamata / K-M-T, the reinforced concrete structure was designed to accommodate a music hall, practice rooms, soundproofed residential rental units, and a penthouse.

▼項(xiàng)目鳥瞰，aerial view of the project ? Takumi Ota Photography

▼項(xiàng)目頂視圖，top view of the project ? Takumi Ota Photography

項(xiàng)目坐落于東京南部的池上地區(qū)，著名的池上本門寺山腳下。池上本門寺歷史悠久，建于17世紀(jì)初，并以其巨大的五層寶塔而聞名，寺廟、咖啡館、商店和住宅區(qū)共同組成了當(dāng)?shù)氐奈幕行摹yuichi Sasaki Architecture此次的設(shè)計(jì)任務(wù)旨在為小鎮(zhèn)創(chuàng)造一處?kù)`活的公共設(shè)施，為當(dāng)?shù)鼐用裉峁┥缃痪蹠?huì)、表達(dá)自身創(chuàng)造力，并在多功能空間中學(xué)習(xí)與欣賞音樂(lè)的理想場(chǎng)所。最終，建筑的設(shè)計(jì)以驚人的幾何美學(xué)回應(yīng)了項(xiàng)目的需求。

▼軸測(cè)圖，axonometric drawing ? Ryuichi Sasaki Architecture

At the foot of the Ikegami Honmonji Buddhist temple, renowned for its massive five-story pagoda erected in the early 17th century, the Ideareve-Ikegami is located in the south Tokyo town of Ikegami, a cultural hub comprised of smaller temples, cafes, stores, and residential zones. The mandate for Ryuichi Sasaki Architecture was to design a facility for the town where residents can gather, express their creativity, and study music in a variety of hybrid spaces. The firm embraced the mandate and responded in a stunning geometrical fashion.

▼體量左側(cè)為音樂(lè)廳與頂層公寓，右側(cè)為住宅單元，the concert hall and the penthouse are on the left and the residential units on the right ? Takumi Ota Photography

▼音樂(lè)廳與頂層公寓體量鳥瞰，aerial view of the concert hall and the penthouse ? Takumi Ota Photography

▼頂部鳥瞰，aerial view of the roof ? Ryuichi Sasaki Architecture

“池上本門寺是日連佛教最重要的精神場(chǎng)所，其輝煌的歷史可以追溯到13世紀(jì)。我們面臨的挑戰(zhàn)是在其陰影下設(shè)計(jì)一個(gè)體驗(yàn)式的綜合體，它將體現(xiàn)當(dāng)?shù)氐纳鐓^(qū)精神和文化精髓，同時(shí)也將嚴(yán)格遵守建筑規(guī)范，以保護(hù)當(dāng)?shù)刂匾奈幕z產(chǎn)。”項(xiàng)目首席執(zhí)行官兼首席建筑師Ryuichi Sasaki解釋道。

“The Ikegami Honmonji temple is the most important spiritual site of the Nichiren Buddhist sect, with an illustrious history dating back to the 13th century,” explains Ryuichi Sasaki, CEO and Principal Architect. “The challenge for us was to design an experiential complex in its shadow that would embrace the spiritual and cultural essence of the community, while also respecting the types of strictly-enforced building codes that typically protect such heritage areas.”

▼音樂(lè)廳屋頂形成觀景露臺(tái)，the roof of the concert hall forms a viewing terrace ? Ryuichi Sasaki Architecture

▼頂層公寓單元鳥瞰，aerial view of the penthouse ? Takumi Ota Photography

與環(huán)境的無(wú)縫融合

A seamless blend with the environment

該綜合體坐落于池上最大住宅區(qū)西北部的一塊梯形場(chǎng)地上，場(chǎng)地西側(cè)為當(dāng)?shù)厮聫R與小鎮(zhèn)的咖啡館，咖啡館的主要客人一般為前往寺廟的朝圣者。兩層樓高能夠容納80個(gè)座位的音樂(lè)廳占據(jù)了建筑西南角的戰(zhàn)略位置，可以通過(guò)前庭和門廳進(jìn)入，進(jìn)而形成了一個(gè)流通區(qū)域。這個(gè)區(qū)域起到了空間過(guò)渡的作用，模糊了室內(nèi)外的界限，將周圍令人心曠神怡的山丘景觀與建筑內(nèi)部充滿活力的創(chuàng)意音樂(lè)氛圍緊密地聯(lián)系在一起。

▼音樂(lè)廳一側(cè)街道視角，street view of the concert hall side? Takumi Ota Photography

▼街角花園，garden at the street corner ? Ryuichi Sasaki Architecture

To the northwest of Ikegami’s largest cluster of residences, the complex sits on a trapezoidal site, just east of the town’s temples and cafes that cater largely to migrant waves of pilgrims en route to the temple. The two-story music hall and its 80-seat theatrical auditorium occupy a strategic place in the southwest corner of the structure, entered via a vestibule and foyer that combine to form a circulation zone that blurs the lines between the inspiring, undulating hills of the external landscape and the vibe of creativity that awaits inside.

▼場(chǎng)地入口，entrance of the site ? Takumi Ota Photography

▼音樂(lè)廳體量街道視角，street view of the volume of the concert hall ? Takumi Ota Photography

▼音樂(lè)廳體量，volume of the concert hall ? Takumi Ota Photography

▼建筑線條彰顯出驚人的幾何美學(xué)，the lines of the building reveal a striking geometric aesthetic ? Takumi Ota Photography

▼立面細(xì)部，exterior details ? Takumi Ota Photography

門廳平面呈梯形，由三面黃銅色的不銹鋼墻面圍合。演出大廳內(nèi)部墻面則鋪設(shè)了高品質(zhì)的隔音材質(zhì)，沿對(duì)角線傾斜的墻體共同形成了抽象的梯形體量。音樂(lè)廳沿街一側(cè)的立面由石籠墻點(diǎn)綴，勾勒出一系列種滿植物的花園，大面積的玻璃開窗與多個(gè)入口則進(jìn)一步加強(qiáng)了音樂(lè)廳與包括花園在內(nèi)的周圍景觀之間的聯(lián)系。

▼一二層透視分析圖，perspective diagram ? Ryuichi Sasaki Architecture

▼音樂(lè)廳門廳，foyer of the concert hall side ? Takumi Ota Photography

▼音樂(lè)廳入口，entrance of the concert hall ? Takumi Ota Photography

The foyer is embraced by three brass-colored, stainless steel diagonal walls, and the interior of the hall is encased in acoustic reflectors, with large walls that collectively form an abstract diagonal shape. Glass surfaces and multiple entranceways further embolden connections between the music hall and the surrounding landscape, with the latter embellished by gabion walls that delineate a garden of various species of plants.

▼音樂(lè)廳室內(nèi)概覽，interior view of the concert hall ? Takumi Ota Photography

▼音樂(lè)廳燈光效果，light design of the concert hall ? Takumi Ota Photography

▼演出配置，performance setting ? Takumi Ota Photography

▼二層觀眾席視角，audience view on the second floor ? Takumi Ota Photography

空間的重置與整合

Spatial reconfigurations

住宅區(qū)與音樂(lè)廳的共享入口位于建筑的中心位置，需要通過(guò)一系列臺(tái)階進(jìn)入，樓梯上的建筑元素象征著攀登山坡朝拜池上本門寺的過(guò)程。在樓梯的頂部，一系列隔音出租公寓有序排列在走廊上，每套公寓功能都十分齊全，包括：廚房、浴室、隔音客廳和臥室。

Towards the center of the building, the residential zone shares its entranceway with the music hall, and is accessed via a staircase marked by architectural elements symbolically paying tribute to the climb to the Ikegami Honmonji temple. At the top of the staircase, a series of sound-proofed rental homes line the corridor, each comprised of a kitchen, bathroom, soundproofed living room, and sleeping quarters.

▼住宅單元一側(cè)外立面，exterior view of the residential side ? Takumi Ota Photography

▼住宅單元體量，volume of the residential unit ? Takumi Ota Photography

▼入口臺(tái)階，entrance staircase ? Takumi Ota Photography

▼底層花園，courtyard and gardens ? Takumi Ota Photography

▼住宅單元一側(cè)入口，entrance of the residential unit ? Takumi Ota Photography

住宅體量還包含一個(gè)頂層公寓單元，該單元由三個(gè)建筑體塊組成，公寓之中設(shè)有滑動(dòng)隔墻，可以實(shí)現(xiàn)最大化的空間配置。通過(guò)移動(dòng)滑動(dòng)隔墻，客廳和餐廳區(qū)域可以得到擴(kuò)展，以適應(yīng)各種后勤情況。主臥室區(qū)也可通過(guò)滑動(dòng)墻體，分隔出多間小臥室，以容納其他家庭成員或住客。最后，在音樂(lè)廳上方，一處寬敞的大露臺(tái)進(jìn)一步模糊了建筑內(nèi)外之間的邊界，進(jìn)而為來(lái)訪者們提供了鼓舞人心的周圍景觀視野。

▼頂層公寓與住宅單元透視分析圖，perspective plan of the penthouse and residential unit ? Ryuichi Sasaki Architecture

The residential volume also houses a penthouse unit, comprised of three volume areas featuring sliding walls that enable maximum spatial configurations of its spaces. By reconfiguring the sliding walls, the living room and dining room areas can be enlarged to accommodate a variety of logistical situations. The sleeping quarters can also be reconfigured from a master bedroom into multiple bedrooms to accommodate other family members or houseguests. Finally, above the music hall, a large terrace further fuses the seamless border between the building’s interior and exterior, incorporating inspirational views of the majestic landscape for the benefit Ideareve-Ikegami patrons.

▼頂層公寓單元，penthouse unit? Takumi Ota Photography

▼立面細(xì)部，exterior detail of the penthouse ? Takumi Ota Photography

▼樓梯，staircase ? Takumi Ota Photography

“住宅區(qū)與音樂(lè)廳之間過(guò)渡區(qū)的優(yōu)美景觀旨在激發(fā)人們音樂(lè)創(chuàng)造力，使人們的情感與旋律和節(jié)奏之間產(chǎn)生共鳴。“該項(xiàng)目有助于當(dāng)?shù)氐奈幕诤希詿崆楹每偷淖藨B(tài)向來(lái)訪者們展示出小鎮(zhèn)的音樂(lè)特色，我們很自豪能夠?yàn)槌厣暇用窠ㄔ斐鲞@樣一座綜合體。”建筑師Ryuichi Sasaki總結(jié)道。

“Views from the residential area, as well as the music hall circulation areas, were designed to inspire emotions conducive to musical creativity and melodic rhythms,” concludes Ryuichi Sasaki. “The project contributes to the blending of culture and hospitality that characterizes the town, and we are proud to provide this complex for the joyful use of residents of Ikegami.”

▼住宅單元一側(cè)門廳，foyer of the residential side ? Takumi Ota Photography

▼頂層公寓室內(nèi)概覽，interior view of the penthouse ? Takumi Ota Photography

▼隔音起居室與廚房，soundproof living room and kitchen ? Takumi Ota Photography

▼臥室/練功房，bedroom/practice room ? Takumi Ota Photography

▼臥室/練功房，bedroom/practice room ? Takumi Ota Photography

▼庭院夜景，night view ? Takumi Ota Photography

▼底層平面圖，ground floor plan ? Ryuichi Sasaki Architecture

▼二層平面圖，second floor plan ? Ryuichi Sasaki Architecture

▼三層平面圖，third floor plan ? Ryuichi Sasaki Architecture

▼四層平面圖，fourth floor plan ? Ryuichi Sasaki Architecture

▼立面圖，elevations ? Ryuichi Sasaki Architecture

▼剖面圖，section ? Ryuichi Sasaki Architecture

▼剖面圖分析圖，section diagrams ? Ryuichi Sasaki Architecture

▼場(chǎng)地分析圖，analysis diagram? Ryuichi Sasaki Architecture

▼細(xì)部詳圖，construction details ? Ryuichi Sasaki Architecture

Credits and Technical details

Lead Architect: Ryuichi Sasaki /RYUICHI SASAKI ARCHITECTURE

Collaboration Architect (Producer): Takayuki Yagi / Yagi Komuten

Client: Yasunori Kamata / K-M-T

Design Team: Ryuichi Sasaki, Gen Sakaguchi, Yuriko Ogura /RYUICHI SASAKI ARCHITECTURE

Structure Engineer: Tatsumi Terado /Tatsumi Terado Structural Studio

Acoustics: Akira Ono/ Nagata Acoustics

Landscape: Takeshi Matsuo /Plat Design

Light Design: Natsuha Kameoka /Lighting Sou

Metal: Tatsunori Horiyama/Shinko Stainless Polishing

Photography: Takumi Ota Photography

Project Name: IDEAREVE IKEGAMI

Building Purpose: Music Hall, Music Practice Room, Soundproofed Residential Housing, Owners housing

Location: 1-30-23 Ikegami, Ota-ku, Tokyo, Japan

Site Area: 614.14 m2

Building Area: 305.35 m2

Total floor Area: 794.44 m2

Structure: Reinforced Concrete

Completion Date: June 2021

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