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風(fēng)格或許標(biāo)記著年齡和時(shí)代，但藝術(shù)卻不設(shè)邊界。

Style may denote age and era, but art knows no boundaries.

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家是有別于一切空間的存在。它所具有的強(qiáng)大力量將人的精神、回憶、夢(mèng)想、品格，甚至前世今生都融匯在一起。

家如同我們身體的延續(xù)，它確實(shí)應(yīng)當(dāng)在時(shí)間的不斷打磨中，接近海德格爾所說(shuō)的詩(shī)意的棲居，一種無(wú)限接近自我的詩(shī)意。

Home is a presence distinct from all other spaces. It wields a profound power that fuses one's spirit, memories, dreams, character, and even the continuum of past and present lives. Home is an extension of our physical selves, and it should indeed, through the relentless passage of time, approach Heidegger's poetic dwelling, a poetic closeness to the self that is infinite.

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Z時(shí)代的—藝術(shù)之家

Z Times－The Art Ｈouse?

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“我們創(chuàng)造一個(gè)自由的平面空間，能夠容納主人一家各自的生活樣態(tài)，允許他們同在一個(gè)空間內(nèi)，互為彼此的底色和點(diǎn)睛之筆。”

"We've crafted a free-form spatial layout that accommodates the diverse living styles of the homeowners, allowing them to coexist in a shared space, serving as both the backdrop and the finishing touch to one another."

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空間布局

大尺度自由平面 」

Spatial Layout

Expansive and Free-Form

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這套近400㎡的雙臥住宅是連通了兩套頂層小空間而獲得。通過(guò)重新規(guī)劃布局并調(diào)整門(mén)窗位置和尺度，新空間承載各個(gè)成員的獨(dú)立空間以及一個(gè)豪宅尺度的家庭綜合活動(dòng)區(qū)。

令人驚喜的是，設(shè)計(jì)師完成了兩個(gè)由更衣間、臥室、衛(wèi)浴構(gòu)成的居住模塊，分屬不同家庭成員的專(zhuān)屬空間。

This nearly 400-square-meter dual-bedroom residence was created by merging two smaller top-floor spaces. Through layout reconfiguration and adjustments to door and window positions and dimensions, the new space accommodates individual spaces for each family member, along with a mansion-scale family activity area.

Surprisingly, the designer completed two living modules composed of changing rooms, bedrooms and bathrooms, which are exclusive Spaces for different family members.

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南側(cè)立面的條狀長(zhǎng)窗使整個(gè)公共區(qū)域被自然光包裹，改造前由于窗戶(hù)有一個(gè)向內(nèi)傾斜角度使得受光效果和居住體驗(yàn)都受到影響，通過(guò)垂直向的重建抵消了這一缺陷。在盡可能干凈的空間基底上，為擁抱內(nèi)部的豐富性，設(shè)計(jì)師預(yù)埋了開(kāi)敞、極簡(jiǎn)的種子。

The strip-like, floor-to-ceiling windows on the southern facade envelop the entire public area in natural light. Prior to the renovation, the inward-sloping angle of the windows affected both the lighting and the living experience. This flaw was offset by a vertical reconstruction.

With a clean spatial base, the designers embedded open and minimalist elements to embrace the interior's richness.

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家庭共享區(qū)

藝術(shù)與情感的融合 」

Family Shared Area

The fusion of art and emotion

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進(jìn)入從規(guī)范的現(xiàn)代主義電梯廳進(jìn)入，大紅色玄關(guān)柜搭配藝術(shù)畫(huà)作瞬間點(diǎn)亮眼前的空間，轉(zhuǎn)角墻面懸掛葉方的《虛實(shí)之間》，藝術(shù)品對(duì)情緒完成了一次微小而精妙的撞擊，它意味著你已步入全新的世界。

Entering through the modernist lobby, the vibrant red entrance cabinet, paired with print instantly illuminates the space. The corner wall features Ye Fang's "Between Reality and Illusion," and these works of art deliver a subtle yet exquisite emotional impact, signifying that you have entered a new world.

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住宅的主人對(duì)藝術(shù)品鑒賞具有獨(dú)到品味。在空間設(shè)計(jì)中，設(shè)計(jì)師調(diào)動(dòng)了直線(xiàn)與曲線(xiàn)、色彩與肌理、雕塑與繪畫(huà)、輕盈與厚重等等令其并置，當(dāng)復(fù)雜性和矛盾性被一個(gè)具有包容性的空間統(tǒng)一起來(lái)時(shí)，它們構(gòu)成一個(gè)發(fā)光的整體，并且只屬于這棟房子的主人。

The homeowners have a unique taste for art appreciation. In the spatial design, the designers juxtapose elements like straight lines and curves, colors and textures, sculpture and painting, lightness and weight, and when complexity and contradictions are unified in an inclusive space, they form a luminous whole that belongs solely to the homeowners of this residence.

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由Ligne Roset和Edra北極熊沙發(fā)圍合的客廳區(qū)潔凈而夢(mèng)幻，角落的一只Foscarini Orbital落地?zé)艉豌紤械腗oroso花瓣椅將場(chǎng)景代入夏加爾紛繁的想象之地。易使用的大小各異的茶幾由不同材質(zhì)在內(nèi)部奏響靈動(dòng)的曲調(diào)，沒(méi)有任何一個(gè)角落是沉悶呆板的。

The living area, enclosed by Ligne Roset and Edra Polar Bear sofas, is clean and dreamy. A Foscarini Orbital floor lamp in the corner and the relaxed Moroso Petal chair transport the scene to a place of Shangri-La's vivid imagination. Coffee tables of varying sizes and materials produce lively harmonies within the space; not a single corner is dull or rigid.

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由散落的花瓣和玻璃樹(shù)脂構(gòu)型而成的一系列家具和藝術(shù)品是來(lái)自設(shè)計(jì)公司的原創(chuàng)作品，這些被凝固了的云霧和水流構(gòu)成了空間詩(shī)性的貫穿，被凝固的這一刻又彰顯出力量。

A series of furniture and art pieces made from scattered petals and glass resin formations are original works from design companies. These congealed clouds and water flow constitute a poetic thread that permeates the space, highlighting their moment of congealment.

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越過(guò)樹(shù)脂屏風(fēng)，酒吧和餐廳與客廳對(duì)望。吊柜和地柜足有600公斤的中島經(jīng)過(guò)嚴(yán)謹(jǐn)?shù)慕Y(jié)構(gòu)論證最終得以在這個(gè)區(qū)域內(nèi)實(shí)現(xiàn)。

厚重的柜體與餐椅冰川滴落般的設(shè)計(jì)再次釋放剛?cè)岵?jì)的反差魅力。隱于中島后的櫥柜面板材質(zhì)在不同視角下呈現(xiàn)由綠到紅的過(guò)度，與天花上轉(zhuǎn)印的巨幅睡蓮形成倒置的奇妙互看，整個(gè)區(qū)域似乎蕩漾與藝術(shù)與現(xiàn)實(shí)交融的湖面，古典與當(dāng)代交融。

Beyond the resin screen, the bar and dining area face the living room. The island, cabinets, and drawers, weighing a total of 600 kilograms, have undergone meticulous structural verification to be realized in this area. The substantial cabinet and the glacial design of the dining chairs release a striking contrast charm. The cabinet panels hidden behind the island display a transition from green to red when viewed from different angles, forming a mesmerizing visual dialogue with the large lotus prints on the ceiling. The entire area seems like a rippling lake where art and reality merge, with classical and contemporary blend.

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Z時(shí)代的私人空間

個(gè)性與平衡 」

Private space of Z Times

Personality and balance

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溫柔的大地色和弧線(xiàn)屬于年輕的家庭成員，從臥室到衛(wèi)生間再到畫(huà)室，拱形門(mén)洞和大尺度的推拉門(mén)使這幾個(gè)區(qū)域可以彼此連通自成一方天地，而氣流和陽(yáng)光也會(huì)因此流動(dòng)起來(lái)。

拱形和柔軟的弧線(xiàn)由結(jié)構(gòu)延續(xù)到家具和配飾，糖果一般的甜蜜氛圍在亞麻色的基底上并不顯得唐突，反而調(diào)和了公共區(qū)紛繁層疊的細(xì)部，情緒在這里歸于和緩。

The soft earthy tones and curves belong to the younger family members. From the bedroom to the bathroom and the studio, arched doorways and large sliding doors connect these areas, creating distinct realms for each while allowing airflow and sunlight to flow. The arches and soft curves continue from the structure to the furniture and accessories. This candy-like sweetness on a linen-colored canvas is not abrupt but rather harmonizes the intricate details of the public area, creating a soothing ambiance.

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衣帽間幾乎享有和臥室同樣的面積大小，茶色玻璃組柜是夢(mèng)想里的魔法盒子，延續(xù)整個(gè)家中的間接照明，衣帽間在燈光渲染中晶瑩含蓄，提供恰到好處的尊貴和儀式感。

The dressing room, almost as spacious as the bedroom, is a magical box of dreams with its brown glass cabinet, providing indirect lighting that exudes elegance and ceremony.

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洗手間則大膽地被設(shè)計(jì)注入別具一格的表現(xiàn)力，無(wú)論是潔凈到底的詫寂情緒，還是干脆沉入黑色的“禁忌”，它像是跳脫出整個(gè)空間的法外之地，濃郁強(qiáng)烈，與整體呼應(yīng)完成動(dòng)態(tài)的平衡，而空間一呼一吸的空間韻律也由此而生。

The bathroom boldly incorporates unique expressions, whether it's the immaculate tranquility or the plunge into the "forbidden" black. It seems to transcend the entire space, bold and intense, creating dynamic balance with the whole, and the spatial rhythm of inhalation and exhalation emerges from this interplay.

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項(xiàng)目信息

項(xiàng)目名稱(chēng)：北京大平層私宅

項(xiàng)目地點(diǎn)：中國(guó)·北京

室內(nèi)設(shè)計(jì)：北京華熙萬(wàn)物設(shè)計(jì)有限公司

軟裝設(shè)計(jì)：北京華熙萬(wàn)物設(shè)計(jì)有限公司

創(chuàng)意總監(jiān)：劉卷卷

方案主創(chuàng)：張學(xué)智

項(xiàng)目攝影：圖派空間攝影

文案策劃：NARJEELING那幾嶺

項(xiàng)目策劃：楽品牌策略機(jī)構(gòu)